George Orson Welles, born on May 6, 1915, was a man of innumerable talents and unquenchable drive, whose creative stamp was left on stage, on radio and in film. An enfant terrible up to his death in ...
Peter Bogdanovich (from left), Bill Weaver, Orson Welles and Oja Kodar on location during the filming of Orson Welles' "The Other Side of the Wind." José María Castellví The long, tortured history of ...
70 years ago this month, Orson Welles (pictured in a scene from "Citizen Kane") began writing for this very paper. But his boring subject matter - a wealth of personal problems - led to a perfect ...
2020 was a pretty big year on the internet for Orson Welles, the legendary auteur behind Citizen Kane who has been dead since 1985. In the summer, as protests against police brutality hit a fever ...
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76 years ago, this film noir had cinema's best speech, and no one has come close since
A film noir movie had one of the best speeches ever delivered in a movie, and it remains one of the best in movie history 76 ...
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Mark Cousins, director of Cannes Classics hit The Eyes Of Orson Welles, would be a distinctive character even if he wasn’t a respected filmmaker, writer and historian—his body is emblazoned with ...
Was Orson Welles the greatest director of all time? Yes. No. Maybe. Impossible to say. Welles only made 12 or 13 or 14 feature films while he was alive, depending on if you count documentaries, lost ...
Nearly 40 years after his death, Orson Welles is back — as a disembodied AI-generated voice in location-based storytelling app Storyrabbit. Storyrabbit, from podcast company Treefort Media, inked a ...
The only surviving copy of Orson Welles’ 1930 silent film Too Much Johnson was long thought irrecoverably lost after a fire devastated Welles’ home outside Madrid in 1970, yet yesterday the George ...
As gaudy and inexplicable as its title, The Other Side of the Wind nonetheless sings with the force of its movement whistling past its constraints. The wind blows ...
“I don’t want any description of me to be accurate,” Orson Welles told critic Kenneth Tynan in 1967. “I want it to be flattering.” It’s a typical Welles bon mot, blustery and witty and egocentric. And ...
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